Amami Superman Photography

A Place to Share My Photos

Aug 29, 2010

I Spy a Dragonfly

Posted by Amami Superman

Nikon D60, Nikkor 55-200mm f/4.0-.5.6 @ 200mm, 1/80 sec, f/5.6, ISO 800 -- EXIF


Nikon D60, Nikkor 18-55mm f/4.0-5.6 @ 200mm, 1/160 sec, f/5.6, ISO 800 -- EXIF

Here's a couple more photos I took from last Wednesday. These dragonflies are different from the ones you normally see. The wings don't stick straight out to the sides. Instead, when not flying, they go straight back and are together. This second photo was just after it landed so it's winds were apart. When they fly, they kind of flutter like butterflies and not the zippy decise movements of normal dragonflies.

Ugh... I'm dreading the thought of going back to work next week. But hey, it was fun while it lasted.

Aug 28, 2010

Reposed at the River

Posted by Amami Superman

Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/50 sec, f/4.0, ISO 200 -- EXIF

This is one of the photos I took from last Wednesday on our outing to the river. It was a nice warm day and the cool water washed the uncomfortable mugginess away. Jade caught a few tanaga (crawdads), and spent most of her time swimming. She brought her camera along, but I have yet to upload those photos to a computer to look at.

Aug 27, 2010

Tiltshift Maker

Posted by Amami Superman

I was cruising the interwebz tonight and I came across a neat site that titlshifts your normal photos for you called TiltShift Maker. I've been interested in tiltshift lenses but always thought they were for the professionals and people who had money to spend on those kinds of expensive lenses. I would like to have a tiltshift lens, but I'm poor and a tiltshift lens is not on the top of my wish list. So with that, I thought I would try it out.


Now when I first came across this site, I was apprehensive. So I took a look at the flickr group they had and took a look at some of the photos people produced with this site. After going through quite a few photos, I became aware that photos taken from above looked better than the photos taken at ground view, or level, photos. With that in mind, I thought of some photos that I took from an upper perspective and came up with these two. I hope you like them.


This photo is from my post of the 2009 Hachigatsu Odori post. The original photo I posted is here.


This is a photo I posted earlier this month of the Amami Matsuri 2010. The original photo I posted is here.

I know this isn't a real part of photography, but when we mess up photos in whatever application we use, how is this much different? I thought it was a pretty cool site and I thought I would try it out. With that said, I think these photos turned out a bit artistically different that what I originally produced and I'm happy with that.

My First Attempts at Time Lapse

Posted by Amami Superman

Well, this is my first attempt at trying to make a time lapse movie sequence. I've seen plenty of very nicely put together time lapse movies and I thought I would try my hand at it.

Attempt #1

This video contains 133 photos taken about 40 seconds apart. My camera and settings were: Nikon D60, Sigma 30mm f/1.4, 15 seconds, f/2.0, ISO 1600. The exposure program was set to manual, auto focus turned off as well as white balance. The photos were put into sequence using Quicktime 7 Pro with 24 frames per second, if I remember correctly (I forgot to write it down when I saved it). I had too much time between shots and it was pretty jerky at lower frame rates.

Let me start off by saying, I understand this isn't very good (actually craptastic more like it). For quite some time now, I've wanted to go out and take photos of the stars on a clear night. While searching the interwebz for some information and advice about this, I came across several places that had time lapse movies for star photos and instantly thought I need to learn how to do it.

It just so happened that yesterday we went to the mountains to play at the river and have a barbecue when my wife dropped my mobile phone in the weeds before returning home. After returning home, I taught a few classes and went to call one of my students, but couldn't find my mobile phone. I asked my wife and she said she put it in the bag, which is wasn't in. We searched the car and came up empty handed. We finally concluded that we must have dropped it while loading our things into the car at the river. Since I had to drive to the mountains anyway to look for my phone, I decided to bring my camera gear and see if I couldn't take some time lapse photos.

It took a little over an hour to get to the spot were we parked by the river and it took me a few minutes of searching before I found my mobile phone. After that I decided to head deeper into the mountains were I could get further away from city lights and the like. I don't think the conditions could have been worst besides it being completely cloudy and rainy. It was cloudy with lots of patches of starry sky which I thought was OK, but it did sprinkle rain a few times. Luckily, I was set up under the back lift door to my loaner car we're using, so things stayed dry. We had some car troubles last week so we took it to the Honda dealership to get it worked on and I forgot my nice tripod in the back. Because it has been obon, the dealership has been closed and I had no way to get my tripod out the back. Instead, I had to settle with using kind of flimsy aluminium tripod I borrowed from my friend Shoriki. I figured if I kept it low and didn't extend the legs, it should be steady enough to take the kind of photos I wanted. If you look closely at the movie, I think I bumped it because the angle drops a bit part way through.

So it was partly cloudy with some rain at times, I didn't have a decent tripod and to top it off, it was a full moon and very humid. It was pretty clear despite the clouds and then a fog came creeping out of the jungle. But did I let this discourage me? Not the least. I'm going to learn time lapse photography and since this was my first time, I figured no matter how bad it turned out, I would have a better understanding of what I need to do and do things better next time. Oh, and you're probably wondering how I timed the shot intervals? "One one thousand, two one thousand, three one thousand, four one thousand..." And I used my remote to trigger the shutter. I know there are plenty of devices out there to time shot intervals, but I haven't decided on one to buy. I also looked at time lapse software that I can tether my camera to a computer and use. I found a great application for Nikon cameras and Macs called Soforbild. I actually hooked up my Nikon D60 via USB to my iMac and took some time lapse shots inside my classroom. I thought it worked great. Now I just need a Macbook to bring with me when I go out to take time lapse photos.

When I first set up everything and took a few practice shots, the first thing I noticed is that long exposure shot under a full moon can look exactly like daytime. I was so surprised. When I hit the playback button and seen this really bright daytime looking photo, I thought maybe I hadn't taken the photo in the first place. With how foggy, cloudy and humid it was with the full moon, I didn't think I was going to get any shots of the stars that night. So instead, I decided to take over exposed photos that look kind of like daytime and see what the clouds would like like. The above movie is what I ended up with.

Some mistakes I figured out right off, is I can't shoot in RAW format. It takes too long to save to the memory card and it's too taxing on my camera battery. I had a fully recharged battery and I only got off 133 shots. Now here's a kicker, the battery I used when I first got there when I was setting up taking practice shots was only about half full. Earlier in the day, it only had one battery level on the charge mark and before I swapped it out for a new one, it was back up to 2 out of 3. So I figure it was probably around half full. I switched my camera settings just a bit and also switch to normal JPEG format and swapped back to my first battery. I was able to get off 109 shots before the battery ran out of juice. Here is the movie for my second attempt.

Attempt #2

I basically just turned my camera facing the opposite direction for these shots. This video has 109 photos taken at 25 second intervals. My camera settings were: Nikon D60, Sigma 30mm f/1.4, 8 seconds, f/1.4, ISO 400. Again, all manual and no white balance. I put it together using Quicktime 7 Pro and this time the frame rate was 15 frames per second. I accidentally threw in a test shot at the first of the movie. That's why it jumps at the very beginning.

So these 109 photos were taken with only a half a battery. It makes me think how many I could take with a fully charged battery or maybe even a battery pack grip, hmmmm. It also makes me think what it will be like on a clear night with no moon. *smiles big*

Although these two time lapse movies are completely sucktacular, I still feel pretty good about them. It was my first time trying out something like this and I learned so much from this experience. I'm excited to get out again in a few weeks when there's no moon and see what kind of photos I can take. There's so much more I want to write in the post, but I think I'll cut it off here.

Aug 26, 2010

Learning LR3

Posted by Amami Superman

Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/200 sec, f/4.0, ISO 200 -- EXIF
Random 2010 Obon Shot

I took this shot last Sunday while my wife's family was at their haka. I wanted to try out the new Grain feature under Effects in Lightroom 3. I thought the graininess of the photo turned out pretty nice.

Before adding the grain, I switched it to Black & White, put the Recovery at 100 (had just a few blown out spots), upped the Fill Light and Blacks. I then raised the Contrast to 85 and the Brightness to 65 and then gave it a Vignette. Lastly, I gave it some graininess. Here is the original photo if you would like to have a look.

So that's just some photo I chose to mess up to learn how to use some of the new features in Lightroom 3. In all honesty, I was never any good at using Lightroom 2 even, but meh, I enjoy using it. :P It makes things so much easier.

Aug 25, 2010

Flower of the Sun

Posted by Amami Superman

Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 29mm, 1/640 sec, f/8.0, ISO 400 -- EXIF

I took this shot on the way to my wife's family's haka on Sunday during the first day of obon.

Aug 24, 2010

Obon in Amami 2010

Posted by Amami Superman

Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 18mm, 1/100 sec, f/4.5, ISO 200 -- EXIF
Nagata Bochi
(Nagata Cemetary)

It's typical Japanese tradition to cremate the remains of family members passed away and keep the ashes in these monument like family graves. These stone monuments are called haka.

One of the three major holiday seasons in Japan is obon. Traditions for obon vary greatly throughout Japan, but one thing is certain, obon is a time for honoring one's ancestors. I don't know what obon traditions are like in other parts of Japan, but I'll tell you what they do here in Amami.

Obon usually last three days. Before obon starts, the family cleans house sort of like spring cleaning. They do this in order to receive the spirits of their ancestors. Obon is a Buddhist festival and it is believed that our ancestor's spirits come back to visit during this time.

At the beginning of obon, the family goes to their haka and pay their respect first.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/40 sec, f/4.5, ISO 200 -- EXIF
Grandma Kaoru Paying Her Respect


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/50 sec, f/4.5, ISO 200 -- EXIF
Jade Paying Hers


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/80 sec, f/4.5, ISO 200 -- EXIF

Once respects are paid, a candle is lit and placed inside a lantern in order to help the spirits find their way back to home. The lantern is then carried back home all the while keeping the candle lit.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 116mm, 1/800 sec, f/4.8, ISO 200 -- EXIF
Keeping It Steady

Once home the spirits are then placed inside the family butsudan. A butsudan is kind of like a mini shrine inside families' homes. The spirits are kept their for the next 2 days. On the 3rd day, the spirits are then brought back to the the family haka in the same manner. Respects are paid and that marks the end of obon here in Amami.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/500 sec, f/4.5, ISO 200 -- EXIF
Showing the Way

I kind of like this photo because the girl is holding on tightly to a bottle of Coca Cola. My grandfather loved Coke and you probably wouldn't need a lantern to help him find his way back home, just a bottle of Coke...


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 135mm, 1/400 sec, f/5.0, ISO 200 -- EXIF

Lanterns come in all sorts of shapes, sizes and colors. Jade has carried the same lantern for a few years now and it's not that fancy. Maybe next year we'll get a little nicer one to carry.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 72mm, 1/80 sec, f/4.5, ISO 200 -- EXIF
Checking Out Some Bugs

I waited back some to see if I couldn't take some random photos of people walking by with their lanterns. I thought Jade and Hikari would have been home by then but as it turned out, they were waiting for me in the shade of these trees by a dried up riverbed checking out some bugs.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/40 sec, f/4.5, ISO 200 -- EXIF
I'm Good at Engrish

"Baby! Love your hug♥"

"Rainbow Revive. Walk on the Dreams."

"Precure"

Precure is pronounced purikyua and that actually comes from the English contraction, Pretty Cure. So go figure, I never could understand how they come up with names like this. Anyway, Precure is the name of a cartoon for young girls here in Japan.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 200mm, 1/125 sec, f/5.6, ISO 200 -- EXIF
Heading Home

So that was our trip to the cemetery to pick up the spirits of my wife's father's side of the family. I wasn't particularly pleased with the photos I took, especially the first one, but I needed one to show you what a typical Japanese cemetery looked like. You only see a small portion of the cemetery in the first photo. Nagata Bochi is actually very large and is probably much bigger than a football field. The haka are built right next to each other with no room in between and you get a sense of claustrophobia looking out across this garden of monuments.